Valerie Creighton is an industry leader in arts, culture, and media, recognized for reenergizing some of the country’s most important organizations in the sector over a period spanning close to four decades. An expert in organizational change, Valerie has been recognized as a visionary in promoting Canada’s cultural wealth.

Currently serving as President and CEO of the Canada Media Fund, Valerie positions Canadian programming at the forefront in world markets, promoting successful, innovative Canadian content and software applications for current and emerging digital platforms. Valerie has taken part in foreign trade missions, is a passionate industry advocate, and is regularly called upon to present the CMF model internationally.

Valerie was invested into the Saskatchewan Order of Merit in 2016 and the Order of Canada in 2019. She was named one of 2016’s 20 most powerful women in global television by The Hollywood Reporter, was recognized in 2017 by Women in Television and Film – Vancouver for her major contribution to promoting gender equality in media, and was bestowed the Honorary Maverick Award at the 2017 Female Eye Film Festival. She was inducted into Playback’s Hall of Fame in 2018 and received C21’s 2020 Content Canada Impact Award.

In 2022, The Hollywood Reporter named her one of the 20 most powerful women in global entertainment, she received the Lifetime Achievement Award from the University of Regina, and was awarded the Queen Elizabeth II Platinum Jubilee Medal by her home province of Saskatchewan. In 2024, she appeared on The Hollywood Reporter (THR) list of the Most Powerful Women in Canadian Entertainment and received the Glass Ceiling Award at the inaugural THR Women in Entertainment Canada Summit. Valerie also received two honours in recognition of her advocacy and support for Indigenous creators and the establishment of the Indigenous Screen Office (ISO). The ISO honoured her with a blanket ceremony and Elder Vincent Yellow Old Woman of the Siksika Nation, part of the Blackfoot Confederacy, bestowed upon her his deceased sister’s name, Courageous Woman—a great honour given in recognition of Valerie’s contributions.

Valerie holds a Bachelor of Fine Arts from the University of Saskatchewan, has served on a variety of regional, national, and international juries and boards and has produced radio dramas for the CBC in Saskatchewan, where she owns and operates the Red Horse Ranch.

Mathieu’s grandfather was a head technician at the CBC and his father was the HR director at the National Film Board, so you might say it was written in the stars that Mathieu finds himself working in Canada’s screen-based industry. Born and raised in Montreal, he’s an award-winning communicator and marketer. In his younger years he published over one hundred stories in La Presse before moving to Toronto to be a participant in Canada’s first reality TV show U8TV: The Lofters. An accomplished journalist, Mathieu frequently appears on Radio-Canada, covering a wide range of social, cultural, and political affairs, and he has published over a thousand stories in French and English entertainment magazines.

Mathieu spent over a decade working as an executive at Famous Player and Cineplex Media, and as a volunteer, he has raised substantial funds for the Canadian Foundation for AIDS Research, The 519 Community Centre, Cinéfranco, and the Museum of Contemporary Art Toronto.

Mathieu holds a BA in Communications from l’Université du Québec à Montréal, a Master’s Degree in Journalism from Carleton University in Ottawa, and recently completed a Certificate in Strategic Perspectives in Nonprofit Management from Harvard Business School.

He joined the Canada Media Fund in 2019 and is now back in la belle province with his husband and two children. He’s a strong advocate for more inclusion on and behind the screen.

Nathalie Clermont has been working in the film, television and digital media industry for more than twenty-five years, with extensive experience in policy development and financing. Since joining the organization in 2007, she has been a key advisor on CMF policies and programs. She also ensures consistency in service standards and application processes for all CMF programs, with a focus on developing alternative funding partnerships to leverage CMF investments.

Prior to joining the CMF in March 2007 as Director of Program Management, Nathalie spent 15 years at the Société de développement des entreprises culturelles (SODEC), where she was the team leader of the Business Affairs Unit, which was responsible for equity investment programs in cinema and television.

Nathalie holds a B.A. in Film, Communications, and Public Relations from the Université de Montréal.

Trent brings over 30 years of industry and financial experience to the CMF. Before joining us, he spent eight years as VP of Finance and Chief Operating Officer at Portfolio Entertainment, where he was responsible for business growth, development, and strategy, as well as overseeing the finance team and day-to-day operations. Trent was integral in launching Portfolio’s animation studio in 2014, and he built a reputation for developing strong partnerships and creating new business opportunities that saw Portfolio’s programming land on prominent television networks and digital content providers.

Prior to joining Portfolio, Trent spent 14 years at Teletoon Canada as VP of Business Operations, where his initial responsibility for finance and strategic planning quickly grew to encompass several other portfolios, including Affiliate Relations, Sales Promotions, Traffic, and New Business Development. Trent was responsible for overseeing launch operations of Teletoon Retro, which achieved the highest level of distribution of any digital network in Canada. He has also previously worked in financial roles at the Family Channel and Diversey.

Based in Toronto, Trent has a Bachelor of Arts in Business Administration with a minor in Economics from Brock University and holds the designation of CMA.

Before joining the CMF, Joy was CEO of the National Screen Institute (NSI), where she successfully completed a three-year strategic plan before stepping down in April 2024. She originally joined the NSI in 2005 as a Program Manager, then left in 2010 to pursue other opportunities. She returned to the nonprofit in 2016 as Manager of Programs and Development and was named its Acting Executive Director in May 2019, before taking the role of CEO in January 2020. In addition, Joy has worked as a broadcast and festival programmer at WTN (now W Network), CBC, and Gimli Film Festival.

Based in Winnipeg, Joy holds a bachelor’s degree in radio and television arts from Ryerson (now Toronto Metropolitan University). She is an active volunteer and a member of several community and nonprofit boards and councils, including The Winnipeg Foundation, Canada's National Ballet School, the Order of Manitoba Advisory, and Manitoba King’s Counsel Advisory.

In 2023, Joy was named Playback Changemaker of the Year.

Richard Koo brings more than 20 years of experience in audience research to his role as head of CMF’s analytics, strategic reporting, and foresight teams.

His work at the CMF focuses on data equity issues impacting representation and thought leadership on future developments in the media industry.

Richard started his career at CBC Sports working on major broadcast properties, including Hockey Night in Canada and the Olympic Games.

In his spare time, Richard is a multiple Boston Marathon qualifier, an international-level umpire with FISA World Rowing, a member of the Canadian Olympic Committee, and for eight years was the president of the International Olympic Academy Participants Association based in Athens, Greece.

Proudly hailing from Canada’s west coast, he holds a B.A. from the University of British Columbia and a Master of Science in Planning from the University of Toronto.

As VP, Content & Regulatory at the Canada Media Fund, Rod is responsible for developing CMF policy and analyzing and advising on legal and regulatory issues that impact the CMF.

Prior to joining the CMF, Rod worked at the Writers Guild of Canada and Entertainment One.

A trained lawyer, Rod obtained his Bachelor of Laws (LLB) from Queen’s University and his Bachelor of Arts (Hons.) degree in Media, Information and Technoculture from Western University.

Based in Toronto, Emmanuelle has over 20 years of experience in Canada’s media and screen industries, with expertise in brand management, marketing, and partnerships. She started her career at Teletoon Canada, working in programming and advertising before taking on the role of Brand Manager for the specialty channel. She spent a few years at Astral Radio overseeing marketing for 20+ radio stations across Canada, including Virgin Radio, before moving to Shaw as Brand Manager for the Food Network. Emmanuelle joined the CMF in 2014 as Marketing Manager, then shifted to strategic partnerships in 2020, where she has played a central role in growing the CMF’s 70+ national and international partnerships. She holds a B.A. in Linguistics from the University of Toronto.

Based in Vancouver, Janine is an experienced media producer and arts administrator with a focus on digital strategy and immersive technologies. She will help develop policy and programs to ensure the CMF’s mandate is fulfilled in consistency with the distinctiveness of Canada’s IDM market. Prior to joining the CMF, Janine held senior roles provincially with Creative BC and federally with the National Film Board of Canada (NFB). While at the NFB, she was responsible for all their digital products and platforms, and managed award-winning collaborations with key partners, such as Google, the Guardian, imagineNATIVE, and VICE Media. Most recently, Janine was a programs manager at Creative BC, responsible for the Domestic Motion Picture Fund and the Interactive Fund. In that role, she designed several industry-leading funding programs, including the first digital media funding available in BC, and the first targeted funding for equity seeking motion picture creators in BC.

An experienced communicator with an academic background, Jared brings to the table expertise in writing, research, crisis management, media relations, and shaping an organization’s voice and leadership profiles. He joins the CMF from BGC Canada (formerly Boys & Girls Clubs of Canada), the country’s largest child- and youth-serving nonprofit, where he honed his communications skills across several positions during his tenure. Jared holds an Honours BA in English Literature from the University of Toronto and an MA in English Literature from the University of British Columbia.

Originally from Penetanguishene, Ontario, Jessica (Métis/Scottish-Settler) is an arts leader and creative collaborator with over 15 years experience in Canada's media, arts, and culture spaces. Based in Tkaronto (Toronto), Jessica's interests and skills have seen her engage with organizations such as the Independent Media Arts Alliance, the City of Toronto, the Indigenous Performing Arts Alliance, Luminato, New Harlem Productions, Regent Park Film Festival, Indigenous Fashion Arts, Native Earth Performing Arts and most recently at imagineNATIVE, where she was Associate Director until February of 2022. As a director and producer, Jessica has credits with TV series through TFO and APTN, as well as award wins and nominations for her short films and music videos. A multilingual innovator, Jessica looks forward to applying her experience in strategic planning, programming, skills development, and community engagement toward greater access and growth in Canada's screen and digital realms. Jessica is an avid gardener with a keen interest in seed exchanges and sustainable harvesting practices.

As the Director of English Content at the CMF, Karen manages the linear content programs for the English market and is responsible for helping develop, draft, and interpret CMF policy and guidelines. Prior to the CMF, Karen negotiated business deals for premium formats and unscripted content at the CBC for all platforms in her role as Business & Rights Manager. In addition, Karen has had the pleasure and rather unique experience of working in many sectors of the Canadian media industry, including stints in public and private broadcasting, production, distribution, and financing.

Based in Ottawa, Kyle is responsible for developing and implementing the CMF’s national public affairs strategy. Prior to joining the CMF, Kyle worked at the Canadian Media Producers Association (CMPA). In his role as Director of Policy, Kyle was responsible for monitoring and reporting on emerging policies relating to the Canadian independent production sector, communications to government, regulatory agencies, production funding bodies, media, and CMPA members. He oversaw production of Profile, the CMPA’s annual economic report, and other research activities. He also previously worked in the CMPA's communications department as Manager of Media Relations and Communications, where he was a lead organizer for their annual conference Prime Time and contributing editor of the CMPA’s flagship Indiescreen magazine.

Mireille has over 25 years experience in the screen industry, including nearly 15 years at Telefilm Canada, where she was instrumental in streamlining and improving internal processes in her role as Deputy Director for the CMF’s Program Administrator. Prior to that, she worked as a producer in the Francophone film and TV sector, as well as a lecturer at the Institut national de l'image et du son (INIS).